I’m also intrigued to see where the LK developer goes next with future modules – I’m hearing word of a piano style controller and a step sequencer. If it fits your approach, you can unlock modules a la carte. That gives you time to see if you like this approach. The app is free, with each module operating for 15 minutes. There’s really nothing stopping you from trying LK, too. Here’s How To Connect the iPad’s Easiest Pattern Maker to Your Mac ![]() Now, Across iOS and Mac, Everything is Musically Connected ![]() That opens up additional routing options for those with more sophisticated setup ideas in mind. Developer Nuno Santos and I just tried out Midimux in conjunction with LK, and it works perfectly. Last week, we saw another option for routing MIDI between apps and computers in the form of midimux. The app outputs MIDI, so with a little configuration, you can use it with external gear alongside your Live set, or control something else altogether. MIDI control isn’t limited to Ableton Live, either. The latter works with a 30-pin or Lightning (or Android USB) cable, so that you don’t have to worry about a wireless connection getting flaky when you’re trying to work. When you do want to connect LK, you can use either a wireless connection or a wired MIDI connection. It’s also easy to imagine this running alongside a Push for even less reason to go over to the computer screen – which can be a real concentration breaker when you’re trying to stay in the flow. I increasingly find an iPad mini an essential accessory for work – and something I can fall back on when I can’t lug around extra gear but want to keep making music. With chord mode, friendly controls, and a built in arpeggiator with sync, plus lots of space for your fingers on the layout itself, it’s darned-near perfect. The MIDI PADS module alone I find worth the cost of entry, even if you’re already using another iPad tool for Ableton control. And dedicated views for MPC-style pads, an X/Y viewer, and MIDI control are clean and easy to understand. Devices open below the clip/mix view and expand and collapse just as they do in Ableton Live. LK’s narrower focus in its main controller view make it particularly accessible. Second, LK’s simplicity and modular design I find appealing, as you’ll see in screenshots here. ![]() Now, the question is, is there room for yet another control app? touchAble retains the crown for all-around control of Ableton Live there’s very little this app doesn’t do, from replicating Live devices to MIDI editing to custom templates.īut the relaunched LK, released today, has a few reasons for consideration, as an alternative or complement to other solutions.įirst, if you’re an Android user, LK’s Android tablet support alone means it just became your go-to choice if you have a tablet that isn’t an iPad. And that’s left a window wide open for touch controllers. It’s not yet running on your iPad or tablet, or optimized in any way for touch. Ableton Live is happily running on your laptop.
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